four poems by ANA BOŽIČEVIĆ posted on jubilat

You Are an Epitome of Beauty

I thought of a marvelous
If you’re reading this
And having negative
Thoughts imagine
Now those thoughts
Exiting through
Your shoulder blades—­­
As soon as they hit the air
They’re seahorses
Behind your back they’re
Building an air school to
Hash it all out. Now
Picture the seahorses
Coming to show you
The results of
Their long studies
They say we are too pretty
To be sad
And the deep
Inside you though dark
Is full of
Electric coral—
We only got negative
Because we couldn’t
Be seen but now
We can see our beauty
Now we’re educated
Let us teach you!

Then they show you joy.



Happy Ghost Emoji

Tonight I am reborn
As Happy Ghost
You can contact me
Via Ouija, baby
I’m the Weegee
Of passion crimes committed
Solely in the mountains of
Where streams flow
Whose water
Marbles like flesh and where
Werewhos prey…
Rise into the tree crowns,
Star of day
Be the monster whose each step
Makes wood blooms
Forever verb.

“Do not use art to pimp us out!”: Using Art as a tool for white gentrification of the BX

In the Bronx, a Pop-up Art Show Is a Lightning Rod for Fear of Gentrification”

via Hyperallergic.com




An interview on D’Angelo’s Black Power politics from the NY Times here.


Saw D’Angelo (Gary Clark Jr. opening) on Sunday, June 21 in Forest Hills, Queens.


Assata Shakur is Welcome Here


Cuba: America’s most wanted woman Assata Shakur will not be extradited

Shakur still free for now…but what about the future? Let’s keeping remembering:

“Nobody in the world, nobody in history, has ever gotten their freedom by appealing to the moral sense of the people who were oppressing them.”

“A revolutionary woman can’t have no reactionary man.”

{article via The Guardian}


A senior Cuban official has given the clearest sign yet that the island’s government has no intention of extraditing America’s most wanted woman, despite the warming of relations between the two countries.

“Every nation has sovereign and legitimate rights to grant political asylum to people it considers to have been persecuted,” the Cuban foreign ministry’s head of North American affairs, Josefina Vidal, told the Associated Press.

“We’ve explained to the US government in the past that there are some people living in Cuba to whom Cuba has legitimately granted political asylum,” Vidal said, noting also that the two countries have no extradition treaty in effect.

Vidal’s comments in a Monday interview were the clearest sign yet that Cuba has no intention of extraditing Assata Shakur – formerly known as Joanne Chesimard – following a historic detente announced by last week by President Barack Obama and Raúl Castro of Cuba.

Shakur was granted asylum by Fidel Castro after she escaped from the prison where she was serving a sentence for killing a New Jersey state trooper in 1973 during a gun battle after being stopped on the New Jersey Turnpike.

Shakur – who has maintained her innocence – was the rapper Tupac Shakur’s step-aunt and godmother.

The New Jersey governor, Chris Christie, has urged Obama to demand her return before restoring full relations.

In a letter to the White House made public on Sunday, Christie called her asylum in Cuba “an affront to every resident of our state, our country, and in particular, the men and women of the New Jersey state police, who have tirelessly tried to bring this killer back to justice”. The FBI and the New Jersey state police have offered a $2m reward for information leading to Shakur’s capture.


Later on Monday, during an interview with a television anchor, Christie responded to Vidal’s statement that Cuba has the right to grant to political asylum to those who have been persecuted.

“So Joanne Chesimard, a cold-blooded cop killer, convicted by a jury of her peers, in what is without question the fairest and most just criminal justice system in the world – certainly much more just than anything that’s happened in Cuba under the Castro brothers. She is now, according to an official of the Cuban government, persecuted,” he said.

He added, “these thugs in Cuba have given her political asylum for 30 years. It’s unacceptable”.

Bernadette Meehan, a spokeswoman for the White House’s National Security Council, said the Obama administration will “continue to press in our engagement with the Cuban government for the return of US fugitives in Cuba to pursue justice for the victims of their crimes”.

Several suspects in high-profile American cases live openly in Cuba, as are others convicted of less serious crimes. Among these are a woman convicted of killing a police officer four decades ago, a man sought for a 31-year-old armed robbery, airplane hijackers and dozens of people accused of Medicare and insurance fraud.

FBI photo file showing the different appearances of Assata Shakur.
FBI photo file showing the different appearances of Assata Shakur. Photograph: AP
Cuba occasionally returns people convicted or suspected of committing crimes in the US, but it doesn’t observe traditional extradition and refuses to send anyone back for a crime Havana considers political in nature, according to the State Department.

The Castro government’s frequent position on returning fugitives has been to ask for the US to return people wanted in Cuba.

“We’ve reminded the US government that in its country they’ve given shelter to dozens and dozens of Cuban citizens,” Vidal said. “Some of them accused of horrible crimes, some accused of terrorism, murder and kidnapping, and in every case the US government has decided to welcome them.”

In Cuba’s first detailed public response to Obama’s historic announcement last week, Vidal said Cuba is open to all of Obama’s moves to improve relations and strengthen private enterprise and civil society on the island. That includes US equipment to improve the Cuban internet and US exports to Cuba’s new class of private business owners.

“Our president has said we welcome President Obama’s decision to introduce the most significant changes in relations with Cuba in 54 years,” Vidal said. “That includes the entire package.”

John Carlos praises Rams in their Solidarity and whitey on the moon




Banksy: Graffitist of the White Bourgeoise

{via truth-out}

Synopsis: Middle-class outrage at the recent removal of Banksy’s graffiti in an area of poverty and racial tension indicates how disconnected the bourgeoisie are from the realities of working-class life in Britain, and is an example of the appropriation of subversive art forms by the elite.

Read article here: http://www.truth-out.org/opinion/item/26742-banksy-graffitist-of-the-white-bourgeoisie

{thank you sister shtetl chic!}

Six Poems by Amjad Nasser

Here. (via Pen)

If You Are Passing Through Rome
Amjad Nasser
(Translated from the Arabic by Sinan Antoon)

Since you will not strike roots in the earth and will not lean like a willow to a brook, what use are these glances you cast. At times fierce, blank at others, but imploring in the end. You will only catch what appeared by mistake; the hand under the table, or a face that looked back unintentionally. It is not with a glance alone, no matter how long, concentrated, or even Medusean, that you, who are passing through Rome, can change the ways of Romans. This is not a cardboard décor that will crumble under your sweeping glance. Touch it with your hand to believe that reasons gather at times in an idiotic laugh, or a shirt with figures. You have no knowledge as to why that woman, who is passing by like a long gasp, is holding on to that man who appears so unattractive to you. Or how that bulky man leans on the woman who could fly away with a breeze. It is not with the glance alone, no matter how trained, piercing, and intense, that you could stir the sugar spoon in her coffee. For you, alone, believe that lowering an eyelash, or a knight bending down, can barter a life of flesh and blood. So, when your glances return crestfallen, do not say that it is money, fame, or even luck. The one passing through does not leave a tattoo on an arm, or a scar on a chest. But remember that reasons have gathered themselves for you in another Rome with one word. You do not know how it was revealed to you, nor how you uttered it, because the glances cast upon the one who fell in your arms with a full load of her lavender have gone astray.

SOS-Calling All Black People

SOS–Calling All Black People: A Black Arts Movement Reader.

Description from UMassAmherst Press:

This volume brings together a broad range of key writings from the Black Arts Movement of the 1960s and 1970s, among the most significant cultural movements in American history. The aesthetic counterpart of the Black Power movement, it burst onto the scene in the form of artists’ circles, writers’ workshops, drama groups, dance troupes, new publishing ventures, bookstores, and cultural centers and had a presence in practically every community and college campus with an appreciable African American population. Black Arts activists extended its reach even further through magazines such as Ebony and Jet, on television shows such as Soul! and Like It Is, and on radio programs.

Many of the movement’s leading artists, including Ed Bullins, Nikki Giovanni, Woodie King, Haki Madhubuti, Sonia Sanchez, Askia Touré, and Val Gray Ward remain artistically productive today. Its influence can also be seen in the work of later artists, from the writers Toni Morrison, John Edgar Wideman, and August Wilson to actors Avery Brooks, Danny Glover, and Samuel L. Jackson, to hip hop artists Mos Def, Talib Kweli, and Chuck D.

SOS—Calling All Black People includes works of fiction, poetry, and drama in addition to critical writings on issues of politics, aesthetics, and gender. It covers topics ranging from the legacy of Malcolm X and the impact of John Coltrane’s jazz to the tenets of the Black Panther Party and the music of Motown. The editors have provided a substantial introduction outlining the nature, history, and legacy of the Black Arts Movement as well as the principles by which the anthology was assembled.